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The truth will set you free, but first it will make a huge mess of things.

Nina has found herself somewhere she didn’t want to be. She’s has just lost her father, her marriage is ending and her job is in jeopardy. Her teenage daughter is slipping away from her and her mother may or may not have fallen off the wagon. Her ex-con brother, Ray, has just found out he’s a father and her sister, Lola who suffers from an ailment affectionately called, Swiss Cheese brain is about to blow a big family secret out of the water.

All Nina’s got left is an assignment photographing 32 Way to Make Lemonade. Well, that and the attention of a younger man who might turn out to be more heaven-sent than she thought.

What will she do with the lemons life has given her?

 

The Lemonade Year, a novel

Woman Loses Father

 1. 

When someone buys two dozen lemons, a box of tissues, and a whole carrot cake at midnight, you have to figure something is wrong. The cake is for the minute I walk in my condo. The tissues are for my father’s funeral. The lemons mean I’m losing my job.

I’m Nina Griffin, food stylist and photographer. One of those people who artistically arrange food and then take pictures of it. The pictures that make it look like the best almond crusted salmon with blanched, baby asparagus that ever was. The pictures that are meant to inspire you to cook, despite the knowledge that you’ll never be able to recreate the dish the way it appears in the book—yeah, that’s what I do. I make it all seem possible.

It’s just a ruse.

Right now my publishing house has me working on 32 Ways to Make Lemonade. Seriously? Are there really 32 ways to make lemonade? This is why I think my job may be in jeopardy. But right now I don’t have time to worry about that. It’s past midnight and I’m driving home from the grocery store with a carrot cake strapped down by the seatbelt on the passenger’s side and there’s a white owl standing in the middle of the road. I get closer and closer and all the bird does is swivel its head around like that kid in the Exorcist and stare at me. I start slowing down, sure that at any moment the bird will lift off like it’s capable of doing. But it doesn’t. It just stands there, eyeing me, daring me. I fish-tale to a halt, reaching my right hand out to catch the cake if it looses from the seat belt, while I watch as the front end of the car passes over the owl until he’s out of sight.

I grip the wheel. Alone on the highway, forty-one years old, my marriage over, my teenage daughter sleeping at my sister’s house to prove a point, my long fought over career slipping through my fingers, and my father’s funeral two days away. But here I am, panicked over the possibility that there may be a dead owl on the grill of my car. So far—so far—I’ve been holding it together. But something about a dead bird with its little hollow, bird bones broken against the front of my car is the last straw. There has to be one, right?

I push open the car door in a panic, like maybe I can get there in time to give the little thing mouth to beak and he’ll be ok—he’ll be ok. It’s all my fault. I should have just kept driving and perhaps the car would have just passed over him as he stood there in the middle of the road, but I slammed on breaks and that made the front end go lower, like I was aiming for him for crying out loud. Geez, woman, I hear him say to me; can’t a bird stand in the street anymore? What’s the world coming to?

I get out, slam my door, and slip around to the front of the car. It’s late at night and I’m on a back road, but still a car screams past me in the other lane and I shudder. My headlights are blazing and I expect to find the owl crushed against the grill, wings spread—trying to take off in the last seconds—to no avail. But there’s nothing. I should be thrilled, but panic sets in deeper. Where did he go? Is he under a tire? Is there still time? Can I save him? I kneel down on the pavement to get a look under the car. Then whoosh—up from beneath the bumper and grazing my head, the owl rises and zig zags off—its wings clipping the hood on the way up and off into the black sky—a fluttering white speck headed for the safety of the trees. I sit down in the wash of my own headlights and cry.

 

 

On the day my father died, the lady sitting next to me at the café across the street from my office had two bites of a bacon, lettuce, and tomato sandwich left on her plate. One of the bites had no bacon. The tomatoes were too ripe and the lettuce was the pale green color of giving up.

When the charge nurse called, I excused myself from a lunch with coworkers, saying I needed to get back to the office—that something was wrong with the layout and they need to speak to me.

“Who?” the nosey junior copy-editor, whose name I can’t recall, questioned. “I thought you were working on the lemonade thing. That’s miles from press.”

I’m not a very good liar on the spot.

“No,” I said, standing up, trying my best to get out of there. “The other one.”

There is no other one. They haven’t acquired anything new in a while. All we’re doing is catching up on commitments. In my department, this lemonade thing is the bottom of the barrel.  I should have freelanced, but I took the staff position because of the security.

There is no security. The news in my ear that my father had passed was proof of that.

I’m not ready for this, I’m not ready. Not ready.

The words flooded my brain in a useless mantra. Who is ever ready? Even through long illness and certain inevitable demise, the heart still hopes, like a child who still believes in magic.

Addled, I left without paying my bill at the bacon, lettuce and over-ripe tomato café. I sent a text to Suzanne to apologize for leaving her with the nosey copy editor and my check. She wrote back to ask if I was ok. I tried to reply, but the whole process of written telephone communication via a handheld device capable of technological tasks of all imagination seemed suddenly ridiculous to me. Everything seemed ridiculous. As if all the effort to create plasma TV screens, three-D everything, cars that can parallel park themselves, phones that can video chat while surfing the net and washing your dog, was just a distraction from the fact that none of it can make you immortal. It’s all smoke and mirrors to hide the knowledge that your heart can still break, your eyes can still cry, and the people you love will leave you.

 

 

After the owl incident, the rest of the drive home takes on that surreal quality that things get after something weird has happened. Especially after something weird has happened in the midst of some life altering milestone like the death of a parent. A possum traipses out across the street as possums are known to do. I see it in enough time to slow down and let it pass, but it looks at me on its way across the blacktop like it has some knowledge of the owl incident of five minutes before. Watch it lady, the possum says to me, its voice the sarcastic rasp of a two pack a day comedian, we’re supposed to be out here. You’re supposed to be at home. So take your carrot cake and your lemons and get yourself back inside your empty condo with the horrible lighting in the bathroom and your portfolio you hide under the couch to pull out and dream over when everyone else is asleep. By the way, Nina, you’re isolating yourself again—bad move.

I’m amazed at the level of insight for a possum. I make it home without turning anything into road kill and park in my usual spot in the bowels of the parking garage below my condo building. Jack, my newly ex-husband after a matter of expensive months, used to park next to me in sort of a building wide “you park there, I park here, and these are our spots” arrangement. Jack’s spot is still empty. I’m sure there’s much discussion over who will get his place, but so far no one wants to be the first to park there. They all know that parking there means my marriage is over and they don’t want to be part of the fallout.

As promised, as soon as I get inside the condo I head for a knife and fork. As I’m slicing a piece of the cake and shoving off ideas of how I could have photographed it, my cell phone rings and a picture of my mother in a gaudy Christmas sweater lights the screen. Mom is calling me after midnight. This isn’t good.

“I’m that woman again, Nina,” Mom says after perfunctory small talk, none of which addresses the time of night this call is occurring. “You know what I mean?”

“Not really,” I say and take my plate of false security out onto the balcony.

I love the view from my balcony—downtown lit up in the near distance; Appalachian Mountains drawing a wavy line across the North Carolina sky. Tonight though, the mountainscape looks like the heartbeat on a hospital monitor.

“Back when you kids were little,” Mom says. “I was just so lonely.”

I go back inside to get the rest of the cake. I’m wrecked from months of visiting my father at the nursing home, from fighting with Jack, from reassuring our overly perceptive teenage daughter than everything will be fine. Wrecked from lack of sleep and tears in the middle of the day. Wrecked.

“Was Lola not awake?” I ask, back out on the balcony again, looking out over the view that I’m going to have to give up now that I’m single and soon to be out of job—another reason for Cassie to hate me. Not that she cares about my job, just that this building has a pool and teenage boys who live here and if we have to go live with Grandma then Cassie’s just going to die, Mother. Do you hear me, die. Apparently this, all of this, is all my fault.

“I guess she’s asleep,” Mom says in confirmation that she’d rather be pouring her sadness out to her other daughter, the younger one—the more important one, but that I’ll have to do. “Back then,” Mom continues. “I was the only one of my friends to have kids. Everyone else was pursuing their career and I was home changing diapers. I had dreams too, you know.”

“Really?” I ask, actually interested. “Of doing what?”

“Exactly,” she says. “No one will ever know. Not even me.”

 I sigh more heavily than I should.

“I’d see the women in their fancy business suits and smart high-heel shoes buying exotic foods at the grocery,” Mom continues, oblivious to me as usual. “They’d be carrying around that little basket that says I don’t need to know what I’m eating next Tuesday because that’s Ashley’s bday and we’re all going downtown to celebrate.”

“Who’s Ashley?” I ask.

“They’re all Ashley,” Mother spits into the phone and then puts on an old-school, valley girl voice. “Hi, I’m Ashley, I don’t think I invited you. Oh and by the way, you have baby vomit on your shoulder.”

She does a fair job of sounding authentic and I almost laugh. But I don’t laugh, even though it was funny. She needs to tell someone all these things and secretly I’m glad that Lola missed her call.  I’ll take being second choice right now just to be included.

“I used to be one of them and they knew it,” Mom says recalling a time before I can remember. “But I became a woman with a child, with spit up on her shoulder, with a grocery cart piled for two weeks, because, let’s face it, who knew when I’d get it together enough to go out into the world again to shop for the necessities of life, never mind going downtown to celebrate someone’s “bday.” Remember when you used to go to a party just to go to a party-it didn’t even matter if you knew whose it was?

“Not really.”

I picture Mom in her kitchen, she’s animated. Waving her arms as much as the constraints of having to hold the phone to her ear will allow. This is how she talks to Lola. When I come into the room her body stiffens, her voice goes formal. I don’t know her and she doesn’t know me.

“Is it so wrong?” Mom asks. “That when the three of you were finally asleep for the night, I’d make myself a drink. Maybe a Cosmo, or a martini, a margarita—and pretend that I had something to celebrate too?”

It’s then that I hear the tinkle of ice in a glass from the other side of the phone line. I think about my photography portfolio under the couch and my sister Lola’s artwork hanging in the gallery downtown and think my mother and I are more alike than either of us want to admit—except for the drinking.

“Mom,” I say, but am unable to follow it up with any sort of chastising comment that isn’t really my place to make.

I can’t ask her to be careful. I can’t preach to her about self-medication with alcohol. I know she knows that she shouldn’t open that door again, but Dad is dead. Thursday is the funeral. I lift another bite of cake to my mouth, but I’ve suddenly lost the desire for cream cheese icing and fluffy, sweetened flour.

“Who knows,” Mom says and I feel the end of the conversation coming. “Maybe in this day and age, I wouldn’t have felt so out of touch. People have their texting and tweeting—whatever that is—their Spacebook to let the whole world know that they just did a thousand sit-ups, or that their cat just ate a crayon, or that little Emily has a fever of a hundred and one.”

“Facebook,” I say.

“What?” she says but keeps talking.

I hear her voice, but my attention wanders. She might be right. Maybe if she had some connection to the multitude of people she once knew and all the people they once knew, then perhaps she could have posted on her wall My youngest child, Lola, was just in a horrible accident and if she lives, she may never walk again. And btw, she has some kind of brain damage that the doctor called the “Swiss Cheese Effect” and I could just punch him in the face.

And people could reply OMG, Cecilia, how awful.

Hang in there.

We love you.

Or perhaps people could “like” her statement, thus validating her outrage and letting her know that they had at least taken the time out of their beautiful life to read her message to the cosmos and click on the little thumb before hoping to a YouTube video of a dog barking the Star Spangled Banner.

I think about posting, my father has died. I don’t know what symbols you would put in to create the appropriate little face, there must be one. Something worse than the little frown. The little face would say I’ve seen it happen to other people, and in theory I knew it would happen to me, but I didn’t really believe it until now. There is no series of punctuation marks to make up such a face.

Mom is still talking and I realize I’m several sentences behind what she’s saying

“Sorry, Mom, you were saying?” I ask.

“That woman,” Mom says. “Back then, I was that young woman who other young women felt sorry for because I lost my sense of feminine power and had to stay home with the kids. Now I’m that woman that all those women fear again.”

“What woman is that?”

“A widow,” she says and more ice tinkles. “The poor woman who put everything into her family and now she’s all alone. And they’re afraid to look me in the eye, because in the end, they all did it too, and now they see me as a trailblazer. But I’m burning down the brush of somewhere they don’t want to go.”

Mom is very dramatic.

I want to say something, but I’m not Lola and I won’t come up with the perfect thing that Mom needs to hear the way that Lola can. So I listen to the ice clinking in Mom’s glass and I know she’s thinking of calling Lola again.

“I didn’t think that by the way,” Mom says, startling me.

“Think what?”

“That I lost my sense of feminine power by having children,” she says. “I actually felt sorry for the women who thought they should feel sorry for me. I think they were just jealous. You always want the thing you don’t have.”

Yes, you do. I wanted a marriage and then I got one. I wanted a career and then we had a child. I wanted a child and then I got lonely. I got everything I wanted and then I was unhappy.

“I just meant that I loved having kids,” Mom says, her voice pulling me out of my own head. “I just lost myself.  I didn’t start drinking because you guys made life tough. You made it wonderful. I just wasn’t very good at it sometimes and I when things got hard, I fell down.”

That’s a confession that she can’t say to Lola. Mom is talking to me now. It’s an inside joke that isn’t funny. Lola doesn’t know our mother used to drink—she doesn’t remember. Just Dad, my brother Ray, and I know the mother that Mom used to be.

“Is Cassie still at Lola’s house?” Mom asks to change the subject—although it doesn’t, not really.

“Yeah,” I say. “This week she’s picking Jack. Getting used to living away from me.”

“She’s going to live with Jack?”

“Of course not,” I say, unsure. “That’s why she went to Lola’s house.”

“I don’t follow,” Mom says.

I change the subject for real and ask Mom about the dreaded details of Dad’s funeral. Mom talks for a few more minutes about florists and caterers and aunts and uncles I don’t really recall. She could be talking about a wedding or perhaps a baby shower—if I didn’t know better.

“See you Thursday, Mom,” I say like Thursday isn’t Dad’s funeral.

“Good night, Sweetie,” Mom says, like it is.

 

 

 

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